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1943 in film

From Wikipedia

Template:Short description Template:Year topic navigation Template:Yearsinfilm The year 1943 in film featured various significant events for the film industry.

Events

Awards

Category/Organization 1st Golden Globe Awards
January 20, 1944
16th Academy Awards
March 2, 1944
Best Film The Song of Bernadette Casablanca
Best Director Henry King
The Song of Bernadette
Michael Curtiz
Casablanca
Best Actor Paul Lukas
Watch on the Rhine
Best Actress Jennifer Jones
The Song of Bernadette
Best Supporting Actor Akim Tamiroff
For Whom the Bell Tolls
Charles Coburn
The More the Merrier
Best Supporting Actress Katina Paxinou
For Whom the Bell Tolls

Top-grossing films (U.S.)

The top ten 1943 released films by box office gross in North America are as follows:

Highest-grossing films of 1943
Rank Title Distributor Domestic rentals
1 This is the Army Warner Bros. $8,301,000[2]
2 For Whom the Bell Tolls Paramount $6,300,000[3]
3 The Song of Bernadette 20th Century Fox $4,700,000[4]
4 Stage Door Canteen United Artists $4,350,000[5]
5 Star Spangled Rhythm Paramount $3,850,000[6]
6 Thousands Cheer MGM $3,751,000[7]
7 Casablanca Warner Bros. $3,398,000[2]
8 Coney Island 20th Century Fox $3,305,000[8]
9 Destination Tokyo Warner Bros. $3,237,000[2]
10 Dixie Paramount $3,100,000[6]

Top Ten Money Making Stars

Rank Actor/Actress
1. Betty Grable
2. Bob Hope
3 Abbott and Costello
4. Bing Crosby
5. Gary Cooper
6. Greer Garson
7. Humphrey Bogart
8. James Cagney
9. Mickey Rooney
10. Clark Gable

Films by country/region

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Notable films

Films produced in the United States unless stated otherwise

A

B

C

D

E

F

G

H

I

J

K

L

M

N

O

P

R

S

T

V

W

Release dates

United States

January–March

April–June

July–September

October–December

Serials

Comedy film series

Animated short film series

Births

Deaths

Film debuts

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References

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Further reading

Template:1943 films

  1. 1.0 1.1 Template:Cite web
  2. 2.0 2.1 2.2 Warner Bros financial information in The William Schaefer Ledger. See Appendix 1, Historical Journal of Film, Radio and Television, (1995) 15:sup1, 1-31 p 28 DOI: 10.1080/01439689508604551
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